![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I've been working a bit on my Sumi-E and have been frustrated at how awful they have been.
Yesterday especially, other than some winter maintenance I spent my time on my brushwork and was disappointed with everything.
Maybe the practice is beginning to make a difference though, or maybe I am less hard on myself because when I took a break from other things and did a few Sumi-E, I was much happier with them.
They obviously aren't very good yet, but they are not throw-away bad as the others were.
I am still just working on the 4 brush strokes, at this time I can't imagine how the painters combined strokes to be something else, seems impossibly difficult.
The sepia background has sprayed walnut oil a friend gave me. I think that stuff is supposed to be sprayed on after adding ink or graphite or whatever. It's an awful background to work over.
c

Yesterday especially, other than some winter maintenance I spent my time on my brushwork and was disappointed with everything.
Maybe the practice is beginning to make a difference though, or maybe I am less hard on myself because when I took a break from other things and did a few Sumi-E, I was much happier with them.
They obviously aren't very good yet, but they are not throw-away bad as the others were.
I am still just working on the 4 brush strokes, at this time I can't imagine how the painters combined strokes to be something else, seems impossibly difficult.
The sepia background has sprayed walnut oil a friend gave me. I think that stuff is supposed to be sprayed on after adding ink or graphite or whatever. It's an awful background to work over.
c


Bamboo
Date: 2015-12-30 07:38 am (UTC)Re: Bamboo
Date: 2015-12-30 04:48 pm (UTC)I wish I could get my apprentice Sessedi to travel more and get her pictures seen by a wider audience. They are exquisite and an inspiration for Oriental brush work.